Sorry, these are class materials.
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Sorry, these are class materials.
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Sorry, these are class materials.
{ 2 comments… read them below or add one }
Hey Michael, I am always in that zone of high energy and peek experience. It flows out of me; I don’t think about it, it is like it is already written. Every now and then I will get stuck with a word, and have to meditate a moment on it, or go through the alphabet rhyming, lol…but not often…
I love to write when I am feeling that joy of being…I have many such poems, but I also write about tragedy and heartache as well…it is as if awareness has it’s own passion and I am it’s pen in some ways, even though I am very aware that there are models working beneath the surface of what bubbles up…
TSK has been very inspiring for me. I wrote many poems while reading each book in the series, and still they inspire me…
Thank you for commenting…tlc
Hi Tina (I assume, since I think you’re the only one who brings the poetic “model” to our TSK dialogues), Remembering how Paul Valery calls all poetry a translation (from our inexpressible inner vision to the outer world of shared expression), I wonder if TSK also calls into question those very inner visions we strive to express. I guess that it’s not just the poetic or analytic models which we use to express our ideas that are called into question, but how we envision and think in the first place. How do you feel while you’re putting your TSK impressions into meter and rhyme? One could say you are adding a level of “construct” to the process of expression. Not that I am short in the construct department when it comes to harnessing the conceptual models in which I write here. Sometimes it feels like I am looking around for an excuse to write something, and what I end up writing is (at least) 90% drawn from the regular inner preoccupations with which I am already familiar and comfortable. But in the eye of the beholder, the reception may be colder. Michael